![]() Songwriting’s a weird thing, and everybody does it differently. It was just out the top of my head, which, quite frankly, is where all lyrics come from. Johnston told SongFacts, “None of that stuff really had any basis in anything. It was also Templeman who suggested writing about a train and adding a blues interlude. Johnston revealed that this was his usual songwriting process because he “wrote better under pressure” – he usually spent 20 to 25 minutes completing songs. So Johnston obliged and penned the lyrics at the last minute. It was producer Ted Templeman who convinced Johnston to write the words because he believed it could be a single – he was instrumental in the development of “Long Train Runnin'”. Teddy, on the other hand, thought it had some.” I just considered it a bar song without a lot of merit. I still find it fascinating & love seeing the way recorded music is put together.Johnston later admitted, “I didn’t want to cut it. Obviously that’s only a very rough & basic outline, & to get really competent takes years, like any other skill. So although at first it looks like thousands of buttons all over the place, once you break it down, it starts to make a bit more sense. Usually, starting from the left will be the drums, kick, snare, toms, cymbals, then Maybe bass guitar, acoustic guitar keyboards & so on for each instrument.įor each track you can control/ add effects such as reverb, echo, etc which are the racks of equipment behind & to the side of the desk. You can see a black strip below the sliders with white marker pen on it. This is repeated from left to right all along the desk. Very basically, these are tone controls, as well as mute, solo, panning left to right & switching effects in & out. You can see that each track has a slider at the base of the set of dials & buttons going up the desk. Click to expand.Once you’ve got your head around it, it’s not quite as complicated as it first looks. ![]()
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